January 19th, 2006 |
Saturday, bisperas (eve) of the feast of the Sto. Nino and two major procession are done:
the morning fluvial procession where the image of the Holy Child is transported to Mandaue City the day before to spend a night there and early morning, it is then trasported to a waiting barge at the private Ouano wharf which sails around the cities of Lapulapu and Mandaue City before it docks at Pier 1 near Aduana. Devotees flock during this event, from the time it is carried to the wharf in Mandaue to just before it docks at its destination where it is awaited with dances, shouts of homage and then the procession to the old Basilica del Sto. Nino starts. After it reaches the church, a reenactment of the first mass that was held more than 400 years ago is said.

A waiting crowd gathers early morning at Pier 1 in Cebu City (left) while the image of the Virgin (right) that accompanies the Sto. Nino is carried on the shoulders of costumed men representing the Spanish soldiers who arrived on the shores of Cebu more than 400 years ago to start their colonization in the name of God and King.
When I was an elementary student at the Colegio del Sto. Nino, which is run by the Augustinian Friars and is just adjacent to the basilica, I was part of the dance troupe that performed at the pier to welcome the image. and later on after the mass, we performed again, this time infront of judges. I have scant recollection of that day but what I do remember was the hot and tiring performance coupled with nervousness.
the afternoon procession the most awaited religious event prior to the feast wherein the image of the Sto. Nino is placed on a carroza and winds its way along the streets of Cebu City. Before, it was only limited to downtown Cebu City but in later years, the route was expanded and it took longer but the devotees doesn’t mind. Of the three carroza’s that participate in the procession, that of the Sto. Nino is the most awaited. Again, as a member of the Knights of the Altar way back in elementary school, I remember that even though the start of the procession is more than halfway in the route but that of the last image is still at the church, unable to move because of the dizzying throng of people joining.
But when the carroza bearing the image of the Holy Child passes, one can just marvel at the pomp and lavishness as well as the devoutness of the devotees heap: fireworks and firecrackers are lit, balloons tied with pieces of paper written with prayers are set free, people jumping, shouting Viva Sr. Sto. Nino and waving their Sto. Nino statuettes and arms, vehicles blowing their horns and in some portions of the streets, effigies of doves or a globe strung high from the street opens and a shower of confetti, coins and candies rain down on the people!
Compared with the risky and seeming scuffle as male devotees jostle, push and pull to touch the image of the Black Nazarene in Quiapo, Manila that most often times result in injuries and sometimes death, the Sto. Nino procession on the other hand is tamer, subdued and just a happy procession!

Crowd control usually manned by college students ring the carroza of the Sto. Nino (left) while ardent devotees carry an image on their shoulders (right).

Just as the main carroza is on seeing distance, people are in a festive mood: balloons bearing prayers are set free, statuettes are swayed in the air, shouts of Viva! Sr. Sto. Nino! are heard, fireworks are lit and the whole crowd just comes out alive and electrified (left). As it passes, people lift their arms and wave (right).
Related posts:
Sinulog 06: Sto. Nino
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Sinulog effect: Paltos!
Drowsy Monday
In Cebu for the Sinulog
Sto. Nino - The procession
Sto. Nino, 2 - Women devotees